Obvious Child
— The audience for “Obvious Child” was 95% female, but I knew I wasn’t in for a “chick flick”. These were mostly middle-aged and older women who had grown up on “Our Bodies, Ourselves“ and “The Feminine Mystique”. I was decidedly uncomfortable for the first minutes of humor about bodily functions, having assumed young boys had the corner on jokes about flatulence and underwear stains. For that matter, I’m not used to vagina jokes either, but eventually I was smiling too, even if I was groaning at the same time. Jenny Slate does a great job as a stand-up comic dispensing “real world” humor, and when her boyfriend dumps her, she loses her job, and she finds out she’s pregnant, we laugh uneasily at every awkward moment and comment. Even her decision to terminate the pregnancy walks a line between poignancy and shtick. There’s something very honest about the film and it’s the first film I’ve seen to depict abortion as an option that may not leave psychological scars for life. Half of the film fits in the romantic comedy tradition, but the other half—the part that seems to me to go a little too far past the line of good taste—sets it apart and probably makes it worth seeing.
[2014. 84 min. Directed by Gillian Robespierre. Starring Jenny Slate, Jake Lacy, and Gaby Hoffmann.]
http://www.rogerebert.com/reviews/obvious-child-2014